So you won’t find his music on Spotify or Tidal. But Steve has opted to build a strong relationship with a small but very dedicated following who really appreciate his music. Most musicians bet their career on chasing the numbers – previously with the goal of having a hit record and filling stadiums, more recently getting millions of streams on Spotify and Youtube. Steve takes an equally unconventional approach to the business side of his music.
And he has been written about in The Times, The Guardian and The Independent. His music has also been regularly played on BBC Radio 3, 6Music and numerous stations across Europe and the US. Described by Bass Guitar magazine as ‘Britain’s most innovative bassist, no contest’, he creates otherworldly cinematic soundscapes, improvised live, in his own words, ‘with nothing but a 6-string bass guitar, an MPC-style MIDI controller and a bewildering array of pedals.’ So he knows what it’s like to play for big crowds and with big stars.īut Steve decided to take a very different path.Īs an experimental solo bass player, he occupies what by any stretch of the imagination is a pretty specialist niche in the music scene. Steve has played headline sets at festivals across Europe, and recently he has also collaborated in the studio with artists including Reeves Gabrels and Jason Cooper of The Cure, and Mark Kelly of Marillion. He experienced early career success in what now feels like the ‘good old days’ of the music business, getting regular gigs as a session musician and touring with the likes of Howard Jones and as the opening act for Level 42. If you talk to most musicians about the state of the music industry, you will hear a tale of woe – no one buys music any more, piracy and streaming are killing music, it’s impossible to get a record deal any more, and even if you did, it wouldn’t be worth it, and so on.īut talk to Steve Lawson and you’ll hear a very different story. In the coaching segment, if you have a love-hate relationship with your phone, or if you’re feeling your anxiety stoked by the stream of bad news and social media outrage at your fingertips, then I invite you to pick up a poem instead of your phone. In the first part of the show, I reflect on the Black Lives Matter movement, and the importance of diversity for our creativity, for the health of the arts and the creative industries as well as some thoughts about the interview I recorded with Monique DeBose for Season 4, where she spoke powerfully about her experience of growing up mixed-race in the US.
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He’s here to talk about his unusual path as a musician and how to build a sustainable career as an independent creator.
He releases several albums a year via an innovative subscription model, which frees him up to make music on his own terms. Instead of playing in a band as part of the rhythm section, the way bass players are supposed to, Steve is a solo artist, who creates what he describes as “melodic, ambient, wonky electronica”.Īnd instead of chasing a record deal, stadium gigs or millions of stream on Spotify, Steve deliberately keeps his audience small and intimate. This week’s guest on The 21st Century Creative podcast is Steve Lawson, a musician described by Bass Guitar magazine as “Britain’s most innovative bassist, no contest”.
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